Working across printmaking, photography, textiles, installation and writing, his practice investigates relationships between matter, perception, language and systems.
Rather than moving between disciplines, the work follows a continuous inquiry. Biology, typography, architecture, moving image and digital culture are approached as interconnected fields through which patterns, repetition and transformation can be observed.
Since 2004, the square has served as the fundamental unit of his practice. Chosen as a deliberate constraint, it has become a generative structure through which printing, weaving, architecture, pixels and spatial organisation can be explored.